A SERIES. Each instrument is as unique and individual as the musicians who play them. He travelled and worked in London, visiting nearly every guitar expert, shop and school. MR-MODEL-ACUT B S E R I E S; MR-MODEL-BCUT Boca; C SERIES Body length : 490 mm - Body width : 280/245/375 mm - Body depth : 97 mm. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. In 1939, the Rodríguez family returned to Madrid. was successfully added to your cart. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis. He used it to fix instruments belonging to some of his amateur musician friends. In 1955, he opened his own workshop in Madrid. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. in 1959, he decided to move to Los Angeles and opened a workshop at 10400 Wilshire Boulevard. Manuel Rodríguez Sr (1926-2008) learned his craft from his father, who was a flamenco and classical guitar maker . He travelled and worked in London, visiting nearly every guitar expert, shop and school. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid. Manuel Rodríguez Sr (1926-2008) learned his craft from his father, who was a flamenco and classical guitar maker . | Privacy Policy. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. While there, he conducted research with UCLA engineers so as to We send guitars in France and abroad. This enabled him to manufacture his first guitars, bandurrias and lutes. Collection. Manuel Rodríguez Patriotic Front, left-wing guerrilla movement in Chile; Manuel Rodriguez Island, an island in the Patagonian Archipelago in Magallanes y la Antártica Chilena Region, Chile; Manuel Rodríguez (2010 TV series), a Chilean telenovela broadcast in Chilevisión, based on the Chilean guerrilla Manuel Rodríguez Erdoiza In 1955, he The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. He was an apprentice in Agustín de Andrés’ workshop. In 1939, he began working for Jose Ramirez II. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. This guitar has a powerful and responsive sound, with brilliant trebles and deep, round basses. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The notes are rich in harmonics, the timbre is deep and of great beauty. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. 1973 was the beginning of a new phase for Rodríguez guitars. improve bracing design. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. This is still a family-run company in which each member of the family plays an important role. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. opened his own workshop in Madrid. In 1939, he began working for Jose Ramirez II. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. Old stabilized repairs on the top, no intervention necessary, good plyability and good sound performance. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. © 2020 Rodriguez Guitars. The sound of this guitar is powerful and responsive, with brilliant trebles round and deep basses. in 1959, he decided to move to Los Angeles and opened a workshop at 10400 Wilshire Boulevard. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. In 1973 he moved back to Madrid.. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.”   — Manuel Rodríguez Jr. You can communicate with us by email or phone. Galerie des Luthiers is opened by appointment. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. The history of Rodríguez guitars is as rich as the wood from which they are crafted. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. He also produced a great amount of capos for the then popular flamenco musicians. A very endearing instrument. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. The slim neck makes it pleasant to play.

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