2 in C sharp minor If you like Liszt playing that’s big, thoughtful, mature, intelligently virtuosic, and thoroughly engaging, buy this disc. http://ks.petruccimusiclibrary.org/files/imglnks/usimg/3/32/IMSLP17977-Liszt_-_S259_Fantasie_und_Fuge_uber_Ad_nos_salutarem_undam__schirmer_.pdf[permanent dead link], Alexander Frey plays Liszt: Fantasy and Fugue on the Chorale "Ad nos ad salutarem undam", "Fantasy and Fugue on Ad nos, Ad nos salutarem undam (Duet version) Entry", http://ks.petruccimusiclibrary.org/files/imglnks/usimg/3/32/IMSLP17977-Liszt_-_S259_Fantasie_und_Fuge_uber_Ad_nos_salutarem_undam__schirmer_.pdf, https://en.wikipedia.org/w/index.php?title=Fantasy_and_Fugue_on_the_chorale_%22Ad_nos,_ad_salutarem_undam%22&oldid=948287977, Articles with dead external links from December 2019, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License. The work is a hybrid between transcription and original composition, containing elements of both in equal measure. That Ohlsson extracts its essential singing line raises the level of performance well above the merely virtuosic into the realm of demonized, often contrapuntal poetry, one of the great Liszt statements for the new millennium. Ferruccio Busoni Fantasy and Fugue on the Chorale Ad nos ad salutarem undam (arr. Cleobury is on peak form. Like his one-time mentor Claudio Arrau, Ohlsson not only projects the Liszt B minor sonata’s grand, theatrical rhetoric full-out, but does so with the utmost conviction and the least vulgarity. 1-19; Liszt: Hungarian Rhapsody, S244 No. Breitkopf and Haertel #EB 3863. Perhaps it was the experience of living in a place where Bach had lived and worked that prompted his interest in organ music, or perhaps it was the awakening of the religious feelings that would later see him take minor orders in the Catholic Church. The composer’s emotional ambivalence in this liturgical collection of consecrated memories is evident in the work’s closing gestures: a pair of echoes, the first up high, in the major mode, symbolizing heavenly peace, the last down in the bass, in the minor mode, symbolizing earthly grief. • Orders using this coupon are not eligible for Affiliate credit. No. 1948) helps usher in the Liszt bicentennial with these April 2009 readings of two massive keyboard works, the 1850 (organ) transcription of Meyerbeer’s “Ad nos, ad salutary undam,” from his opera Le prophete–here arranged for piano in 1897 by Ferruccio Busoni–and the mighty B Minor Sonata from the year 1852. Browse: Liszt - Fantasia and Fugue on ‘Ad nos, ad salutarem undam', S259 This page lists all recordings of Fantasia and Fugue on ‘Ad nos, ad salutarem undam', S259 by Ferencz Liszt (1811-86). Save 40% on select overstock sheet music titles! No. If you believe that any review contained on our site infringes upon your copyright, please email us. Published by Breitkopf and Haertel (BR.EB-3863). Prior to Ohlsson’s thunderous performance of the Ad Nos Fantasy, I knew only one recording, that of the Russian virtuoso Yevgeny Mogilevsky, made some twenty years ago. • This offer does not apply to Express Air shipping. [1] A piano duet version by Liszt appeared during the same time (S.624). The chaconne is a musical form in which a thematic core, conceived of as a succession of chords, serves as the harmonic foundation for a series of variations. After purchase you can download your video from your Digital Library. Busoni’s own writing in the Fantasia envelops the quotations from Bach in shrouds of downcast rumination, as symbolized by deep explorations of the low range, and by recurring gentle echoes in the high range that are emblematic of a mystical contemplation of the Beyond. (BR.EB-3863). As a result, his rhythmic distortions (such as in the fughetta’s opening) are specifically characterized and astutely timed. Ends at 7:59 GMT on 27 November 2020. Used to contact you regarding your review. Chaconne in D minor BWV 1004 (arr. Busoni); Piano Sonata in B minor, The Bottom Line: What could be better than a big box of Szell? by Albany] ****: • Digital Download products and Gift Certificates do not count towards the order minimum of $35 USD. In the opera, three evil Anabaptist fanatics in 16th-century Holland connive to convince the Dutch population that they all need to be re-baptized in order to get on the right side of the Almighty. For Wagner, who wove musical representations of the actions and psychological states of his characters into the fabric of his opera scores, the Dresden Amen represents the Holy Grail itself. Your video is in XX format and is playable on most pre-installed video players. 9 x 12 in inches. You can also listen to your MP3 at any time in your Digital Library. "[5] Liszt at least once performed his own piano transcription, of which Walter Bache, his student, made an account in 1862.

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