Description: Condition Report: History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them. Here Saar makes a composite image from two plates printed side by side. Lot 83: Betye Saar, b. By shifting the point of view $8,000 - $12,000, Description: At age 80, she's still combining scraps and souvenirs of the past into provocative works of art. BETYE SAAR (1926 - ) TV Watchers. Email Condition reports are available from Rago upon request. This is not a print portfolio. Offset lithograph, with extensive hand coloring in tempera on cream laid paper, circa early 1960s. "The Liberation of Aunt Jemima" -- a broom-toting, gun-wielding African-American woman -- established the reputation of artist Betye Saar. ; Sheet Size 25 7/8 x 20 in. This striking, surreal box is an early assemblage work in Saar's phrenology series--the silver paper covered, mirrored cigar box includes a cut-out of the 1965 color etching The Man from Phrenology. Conjure Women: Betye Saar and Rituals of Transformation 1960-1990, Carpenter, pg. A scarce impression and an unusual example of a screenprint by the artist who began printmaking in 1960. Please. Overall good condition; few unobtrusive, soft sheet bends; some minor light margin wear. Not examined out of frame. Estimate: mixed media Description: Signed, titled and inscribed "Proof" in pencil, lower margin. BETYE SAAR (1926 - ) Bookmarks in the Pages of Life. 362x457 mm; 14 1/4x18 inches, full margins. Description: Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Artist's proof, aside from an edition of unknown size. 7-5/8 x 5-5/8 x 1/2 inch, Estimate: Lot 73: BETYE SAAR (1926 - ) Reverie Vert. 30, No. Signed, titled and dated in pencil, lower right verso. time slips away. 14 x 11 x 1-3/4 inches, The Long Memory 127x332 mm; 5x13 inches. J. Ottmann Lith. Betye Saar, 20 March - 20 April 1975, The Whitney Museum of American Art, New York 1926) Untitled color screenprint signed lower right, edition of 75 14.75" x 10.75". Signed, dated, titled and inscribed "Artist's Proof" in pencil, lower margin. This collage was also the basis for the same-titled 1973 lithograph. $1,200 - $1,800. BETYE SAAR (1926 -) Turtles Lament. Provenance: the estate of Varnette Honeywood; thence by descent to the current owner. 420x375 mm; 16 1/2x14 3/4 inches, full margins. b. We use our own and third-party cookies to personalize your experience and the promotions you see. Woodcut and relief print on thin Japan paper, 1964. 1926 1968 Betye Saar: Graphics and Assemblages, Gallery Carnot, Los Angeles, CA. 7 3/8 x 6in (18.7 x 15.2cm) BETYE SAAR (1926 - ) Gift of Candace King Weir through The Modern Women's Fund, and Committee on Painting and Sculpture Funds. Signed, titled and dated to verso 'Grandma's Garden 1972 Betye Saar'. 151-52 $7,000 - $10,000. ALISON, 1963, etching, signed in pencil, from the numbered edition 15, image 7 ½" x 6", full margins, framed with glass, a few inconspicuous speckles, otherwise in apparently good condition. $3,000 - $5,000. Estimate: 549.2013. Signed and inscribed "To Ruby and Ossie with love" and "A/P 5" in pencil, lower margin. Titles include: Magnolia Flower * Mother Catherine * High John De Conquer * The Conscience of the Court * The Bone of Contention * Now You Cookin'' with Gas. Description: Betye Saar may hold the answers. Another impression of this scarce etching is in the collection of the California African American Museum. Lot 66: BETYE SAAR (1926 - ) The Beastie Parade. Lot 175: BETYE SAAR (1926 - ) Bookmarks in the Pages of Life. BETYE SAAR (1926 - ) Untitled (Phrenology Box). High John de Conquer, The Bone of Contention, and Magnolia Flower. Inscribed "proof" lower center. Provenance: private California collection. Wood, cotton, plastic, metal, acrylic paint, ...[+] printed paper and fabric. I am intrigued with Feminist Studies Inc., Vol. Signed and numbered 1/75 in pencil, lower margin. Betye Saar: Black Girl's Window, 15 December 1972 - 25 January 1973, Berkeley Art Center, Berkeley, CA Very good condition. color offset lithograph with paper construction Dated "'70" in pencil on the verso. Image: 4, Dimensions: BETYE SAAR ( 1926 - ) Now You Cookin' With Gas. Description: Provenance: The Artist | Monique Knowlton Gallery, New York | Allan Stone Gallery, New York Steward p. 18. 1926, Mystic Sky with Self Portrait, color offset lithograph with paper construction, 21-7/16 x 25-1/4 inches.

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