As a young woman, her studio in Kiev attracted all the city’s creative luminaries, and she became a figure of the Paris salons, mixing with Picasso, Braque and others. 40 talking about this. In 1915, she joined the group of avant-garde artists Supremus. Costume Design for the play "Famira Kifared" by Innokentiy Annenski. Alexandra Ekster would also become a co-founder of the Art Deco. (Khidekel R.P. For other people with the surname, see, "Aleksandra Aleksandrovna Ekster. Account managed by Andrei Taraschuk. Walter Pach papers, Archives of American Art, Smithsonian Institution", "Design for a Constructivist stage setting", 10.1093/gao/9781884446054.article.t027185, "Crossroads: Modernism in Ukraine, 1910–1930", Estorick Collection of Modern Italian Art, https://en.wikipedia.org/w/index.php?title=Aleksandra_Ekster&oldid=988387124, Alumni of the Académie de la Grande Chaumière, Short description is different from Wikidata, Articles containing Russian-language text, Articles containing Ukrainian-language text, Articles with unsourced statements from January 2019, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Хидекель Р. П. О трех художниках Камерного театра. [10], In 1921, she became a director of the elementary course Color at the Higher Artistic-Technical Workshop (VKhUTEMAS) in Moscow, a position she held until 1924. Furthermore, each medium only enhanced and influenced her work in other mediums. Voir plus d'idées sur le thème Suprématisme, Art, Women artist. She was a multi talented artist - a painter, ceramist, graphic artist, clothes designer. She was born Aleksandra Aleksandrovna Grigorovich in Białystok, in the Grodno Governorate of the Russian Empire (now Poland) to a wealthy Belarusian family. Ekster constantly stayed true to her composition aesthetic across all mediums. Ekster's theatrical sets used multi-coloured dimensions and experimented with spatial structures. Ekster's movement of her brushstroke in her artwork is reflected in the movement of the fabric in her costumes. She spent several months with her husband in Paris, and there she attended Académie de la Grande Chaumière in Montparnasse. Her mother was Greek. In the attic in her studio there worked future luminaries of world decorative art Vadim Meller, Anatole Petrytsky and P. Tchelitchew . There she was visited by poets and writers, such as Anna Akhmatova, Ilia Ehrenburg, and Osip Mandelstam, dancers Bronislava Nijinska and Elsa Kruger, as well as many artists Alexander Bogomazov, Wladimir Baranoff-Rossine, and students, such as Grigori Kozintsev, Sergei Yutkevich, and Aleksei Kapler among many others. 5. p. 37–43), This page was last edited on 12 November 2020, at 21:30. In 1908, Aleksandra Grigorovich married a successful Kiev lawyer, Nikolai Evgenyevich Ekster. Costume design for "Dance of the Seven Veils", Don Juan, and death. In that same year she participated with the “Russians” Archipenko, Koulbine and Rozanova in the International Futurist Exhibition in Rome. In that same year, she participated with the "Russians" Archipenko, Koulbine and Rozanova in the International Futurist Exhibition in Rome. Her father, Aleksandr Grigorovich, was a wealthy Belarusian businessman. [3], In 1908, Aleksandra Grigorovich married a successful Kiev lawyer, Nikolai Evgenyevich Ekster. From 1908 to 1924, she intermittently lived in Kiev, St. Petersburg, Odessa, Paris, Rome and Moscow. She continued with these experimental tendencies in her later puppet designs. From 1908 to 1924 she intermittently lived in Kiev, St. Petersburg, … [4], In 1923, she continued her work in many media in addition to collaborating with Vera Mukhina and Boris Gladkov in Moscow on the decor of the All Russian Exhibition pavilions. In 1936, she participated in the exhibition Cubism and Abstract Art in New York and went on to have solo exhibitions in Prague and in Paris. Aleksandra Aleksandrovna Ekster (1882-1949) cubo-futurist, suprematist, constructivist and designer is one of most famous Russian Avant Garde female painters that gained international recognition. In 1914, Ekster participated in the Salon des Indépendants exhibitions in Paris, together with Kazimir Malevich, Alexander Archipenko, Vadym Meller, Sonia Delaunay-Terk and other French and Russian artists. Aleksandra Aleksandrovna Ekster (Russian: Александра Александровна Экстер, Ukrainian: Олександра Олександрівна Екстер; 18 January 1882 – 17 March 1949), also known as Alexandra Exter, was a Russian painter (Cubo-Futurist, Suprematist, Constructivist) and designer of international stature who divided her life between Kiev, St. Petersburg, Moscow, Vienna, and Paris. In 1908 she participated in an exhibition together with members of the group Zveno (Link) organized by David Burliuk, Wladimir Burliuk and others in Kiev. – 1971. Alexandra Exter, Georgy Yakulov and Alexander Vesnin// Iskusstvo. [6], Under the name Alexandra d'Exter she exhibited six works at the Salon de la Section d'Or, Galerie La Boétie, Paris, October 1912, with Jean Metzinger, Albert Gleizes, Marcel Duchamp and others. Aleksandra Aleksandrovna Ekster (Russian: Александра Александровна Экстер, Ukrainian: Олександра Олександрівна Екстер; 18 January 1882 – 17 March 1949), also known as Alexandra Exter, was a Russian painter (Cubo-Futurist, Suprematist, Constructivist) and designer of international stature who divided her life between Kiev, St. Petersburg, Moscow, Vienna, and Paris. Her teachers included Mykola Pymonenko. Soon her parents moved to Kyiv (Kiev), and Asya, as called by her friends, attended Kiev gymnasium St. Olga and Kiev Art School, where she studied with Alexander Bogomazov and Alexander Archipenko. She spent several months with her husband in Paris, and there she attended Académie de la Grande Chaumière in Montparnasse. Aleksandra Ekster was a Russian-French artist, cubo-futurist, suprematist, constructivist and designer. Aleksandra Aleksandrovna Ekster, also known as Alexandra Exter, was a Russian Cubo-Futurist, Suprematist, Constructivist painter and designer of international stature who divided her life between Kiev, St. Petersburg, Moscow, Vienna, and Paris. Ekster stretched the dynamic intentions of her work across all mediums. – 1971. Aleksandra Aleksandrovna Ekster (née Grigorovich) (Russian: Алекса́ндра Алекса́ндровна Эксте́р, Ukrainian: Олекса́ндра Олекса́ндрівна Е́кстер; 18 January 1882 – 17 March 1949), also known as Alexandra Exter, was a Russian painter and designer. Aleksandra Ekster – Biography- 200 words In this article: You would know the following things- This artist is a/an Russian Cubo-Futurist, Constructivist painter, Suprematist and designer of international stature, and the full name of this artist is Aleksandra Ekster, the date of birth of this artist is 18 January 1882.Aleksandra Ekster is the artist of Futurism art movement. From 1908 to 1924 she intermittently lived in Kiev, St. Petersburg, Odessa, Paris, Rome and Moscow. She spent several months with her husband in Paris, and there she attended Académie de la Grande Chaumière in Montparnasse. The Eksters belonged to cultural and intellectual elite of Kiev. In Paris, Aleksandra Ekster was a personal friend of Pablo Picasso and Georges Braque, who introduced her to Gertrude Stein. 37–43. From 1926 to 1930, Ekster was a professor at Fernand Léger's Académie d'Art Contemporain. The Eksters belonged to cultural and intellectual elite of Kiev. As a consequence, several fakes have appeared on the market in recent years. She was a book illustrator for the publishing company Flammarion in Paris from 1936 until her death in the Paris suburb of Fontenay-aux-Roses. All of Ekster's works, no matter the medium, stick to her distinct style. Aleksandra Aleksandrovna Ekster (1882-1949) cubo-futurist, suprematist, constructivist and designer is one of most famous Russian Avant Garde female painters that gained international recognition. She was a multi talented artist - a painter, ceramist, graphic artist, clothes designer. There she was visited by poets and writers, such as Anna Akhmatova, Ilia Ehrenburg, and Osip Mandelstam, dancers Bronislava Nijinska and Elsa Kruger, as well as many artists Alexander Bogomazov, Wladimir Baranoff-Rossine, and students, such as Grigori Kozintsev, Sergei Yutkevich, and Aleksei Kapler among many others. [4], Her painting studio in the attic at 27 Funduklievskaya Street, now Khmelnytsky Street, was a rallying stage for Kiev's intellectual elite. – No. [5], In Paris, Aleksandra Ekster became personally acquainted with Pablo Picasso and Georges Braque, who introduced her to Gertrude Stein. Alexandra Ekster would also become a co-founder of the Art Deco. She worked with Vadym Meller as a costume designer in a ballet studio of the dancer Bronislava Nijinska.

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